listening to: Tracer AMC – Islands
Yesterday, in a multi-msn convo we (me, arafat, sidrah and abid) had a discussion about pakistan’s so called music critics being utter pants. for starters, most of them are self-proclaimed critics, critics with the cumulative music knowledge of a porcupine. being able to write articulately (some of them aptly fail at this even) doesn’t mean you are an authority on music, neither does having heard 2 radiohead albums and proclaiming that they are the saviour of modern music.
no, i’m not saying that to be a music critic you must have the innate ability to know what 3/8 is in terms of drum signatures, of know what a polyrythm or polymeter is. no, you don’t need to know the difference between shredding or playing fast on the guitar either, or what key a song is in.
what you NEED is the a near comprehensive knowledge of music. you cannot be a classic rock critic if you haven’t heard king crimson or all of zeppelin or UFO. does this mean you need the ability to drop obscure band names? NO. but, if you’ve heard what UFO sound like, then you’ve got a better understanding of rock music in the 60s-70s, because sorry, zeppelin weren’t the only band in the 60s and 70s, and neither were Pink Floyd (omg comfortably numb awesome lol!).
and for most pakistanis, a music “scene” isn’t when a couple of bands get together and play crappy covers. a music “scene” is when you have bands from a specific locale playing something DIFFERENT, ala montreal these days with their experimental indie-pop (broken social scene, stars, metric, feist, malajube, new pornographers) or montreal at the turn of the century when it was leading the way for chamber influenced post rock (the whole constellation label). That’s what a scene is.
moreoever, a better understand of genres would help too. there’s no such thing as “hardcore rock” to cue a recent article in instep, those are two significantly different genres :@.
why does someone have an epiphany and realize that they can write about music? or actually, sod that, about anything in particular? despite what may seem an elitist and arrogant statement, you cannot write about music if you haven’t heard 50 genres and 500 bands, JUST as you cannot be a movie critic if you’ve watched 2 movies or a literary critic because you’ve read 5 novels.
music journalists are supposed to know more about music then your average listener. unfortunately, in pakistan, music journalists (the self-proclaimed ones) know as much about music as someone blabbing about how impervious to fallacy the sajid and zeeshan or atif albums are.